I read walls
Though I have been blind
Eyes full of this century’s diseased semen.
Under crass unmedicinal plaster
I spy Olivier’s tongue
And Wesker’s scribbling
Through a haze of removed asbestos
One spots dangerous constellations
Relevant only in that they bear knives to your lungs
Volume upon volume do not speak volumes
In monochrome comparison
To a crumbling wall
Or tea stained paper
Or dried purple flowers
Tipped from black plastic
Onto dry Indian floors.
I do not feel much anymore.
Anything?
For newness is synonymous with optical sterility
I’m fine with brown
Or grey or dust
Yet you insist on pink plastic
When I’m fine with oak
L’histoire habite en les briques et le mortier
Synthesis filled with anything
Is still
Quite
Empty.
Thomas Clancy is primarily a playwright and lives in London, where he converses, works and drinks with other playwrights. He has been described by some as one of the great young talents of British theatre.
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